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Vanessa Hudgens keeps up edgy streak with ‘Gimme Shelter’

Posted 12:00am on Thursday, Jan. 23, 2014

ORLANDO, Fla. – Writer-director Ron Krauss ran through more than a few Hollywood starlets in trying to cast the homeless pregnant teen, Apple, in his debut feature film, Gimme Shelter, opening Friday . He’d spent more than a year getting to know such women and those who ran the Several Sources Shelters in New Jersey, the project had become a cause to him and he had to get this casting right.

“Finally, I sent a video link to some girls staying in a shelter and they looked at several auditions,” Krauss recalls. “They didn’t know the young women auditioning. The girls didn’t know High School Musical. And they picked Vanessa Hudgens.”

Hudgens, the former Disney Channel sweetheart, might have seemed an odd choice for the frumpy, pierced and pregnant runaway in search of a father she never knew.

“Hollywood people I told went, ‘That Disney girl? Are you crazy?’,” Krauss says.

But Hudgens, at 25, has been putting those Disney years far behind her with films as gritty, edgy and R-rated as Sucker Punch, Spring Breakers and The Frozen Ground.

“There’s nothing cooler than looking into a mirror and not seeing yourself,” Hudgens says. “The scripts that you get are always similar to the last project somebody saw me in. But that just means that I want nothing to do with it. I like variety. I don’t like being stagnant, sticking with the same thing.”

No more nice girl

She won’t come right out and say it, but after a few years of “sweet girl” roles after the wildly popular High School Musical ended, movies such as Beastly and Bandslam, Hudgens has set her mind to doing more adult roles in films that demolish that old image.

Sucker Punch saw her as an inmate in a mental institution whose escape is envisioning herself (and her fellow inmates) as scantily clad hookers avenging themselves on the evil men in their lives. Spring Breakers put her in another ensemble of young women behaving badly, cutting loose and committing crimes on spring break. The Frozen Ground showcased Hudgens as a teen prostitute who survives a serial killer attack.

For Gimme Shelter, Hudgens whacked off her hair, gained weight, wore piercings and “lived in a shelter for three weeks,” Krauss marvels. “I never thought a Hollywood actress could play this role, that the movie star would show through. But she had swagger to her, she can hide her beauty. She was showing a part of herself she’s never shown before.”

None of her recent films has been a breakout hit. But Hudgens has been earning good reviews on this journey to the dark side, with Digital Spy describing her turn in The Frozen Ground as having “child-like wonder” but “harrowing to watch.”

True story

Gimme Shelter, which is based on a true story and uses real shelters and girls staying in them as its backdrop, offered the actress the chance to work with James Earl Jones (as a priest) and Ann Dowd as the firm but compassionate operator of the shelter Apple winds up in. It’s the sort of indie film where “You get to push yourself out of your comfort zone,” Hudgens says. “It’s work, but it’s work that’s fun. It’s the sort of thing you look for in order to grow.”

Gimme Shelter comes out at a time when poverty is back in the national conversation. It’s being embraced as a faith-based film, as the shelters it is set in are Catholic sponsored and abortion is never a seriously considered option for a pregnant teen with no home, no job and few prospects. Hudgens says she embraces the messages of the movie, “a script that had a lot of courage about it, I think. You’ve got abortion and child abandonment and homelessness and abuse. Tough subjects.”

But after this latest walk on the dark side, Hudgens was ready to mix things up again for her next picture. She knows she may lose her longtime fans, alienating some as she tries to reach that broader audience that leads to career longevity. Her next film, Kitchen Sink, is about a time “when zombies and vampires and humans are trying to co-exist in peace,” Hudgens says, laughing.

“Every role you want, every change in direction you make, is always a hunt and a struggle, and that’s the way it should be,” she says.

That leap from child star to adult actress has never been easy, especially with the levels of stardom that child TV/music stars today can achieve. Overcoming that “brand” in the public’s mind is harder than never.

“You have to fight for the things you want,” she says.” We’re all trying to create our own path. So you admire what somebody else has done or is doing, but you want to write your own story.”

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