Anyone who pays even passing attention to the trailers and commercials for Prisoners may think they have a handle on what this movie is about: Hugh Jackman is an aggrieved father on the hunt for his kidnapped daughter, and hell leave no stone unturned or face unpunched until he finds her.
Its Taken recast with Wolverine in the lead. The script pretty much writes itself, complete with vigilante violence, easy resolution and audience catharsis. Cue up Prisoners II for next year.
But thats not what French Canadian director Denis Villeneuve (whose 2010 film, Incendies, was nominated for a Best Foreign-Language Film Oscar) and writer Aaron Guzikowski ( Contraband) have in mind. Grim, gray and surprisingly gruesome, Prisoners the directors first foray into English-language filmmaking has its flaws, but predictability is not one of them.
Jackman is Keller Dover, a Pennsylvania home remodeler who prides himself on protecting his family, whether its teaching his teenage son (Dylan Minnette) to hunt or keeping a well-ordered survivalists pantry in the basement. But his sense of order is shattered when, while having Thanksgiving dinner with neighbors Franklin and Nancy Birch (Terrence Howard and Viola Davis), his daughter (Erin Gerasimovich) and the Birchs daughter (Kyla Drew Simmons) are snatched off the street in broad daylight.
The immediate suspect is Alex Jones (Paul Dano), a guy sleeping in an RV parked near the house. The trouble is that Alex has the mind of a 10-year-old, is in the care of his aunt (Melissa Leo) and has no real idea whats going on. Lead investigator Detective Loki (Jake Gyllenhaal) has no choice but to let him go because theres no evidence linking him to the crime.
Thats when Keller takes matters into his own hands and, in a lesser movie, this is where viewers get to root for him as he knocks heads together. Instead, Keller sinks to the level of abuser as he kidnaps Alex, locks him in a room and tortures him, all the while guilt-tripping and browbeating the Birches into helping him do it.
The torture scenes are difficult to watch. This isnt horror-movie histrionics; it feels real and violent.
All the while, the methodical Loki whose distracting, exaggerated blinking is either supposed to signify OCD or an odd acting choice on the part of Gyllenhaal and the director is looking for evidence to pin this on someone. Alex? The strange guy in the hoodie at the candlelight vigil? Maybe Keller himself?
Villeneuve matches the emotional mood with a gray color palette it always seems to be raining or just about to and a sense of quiet claustrophobia. As a director, Villeneuve is definitely someone to watch.
Though it sometimes seems, when he explodes in rage, that Jackman is channeling his inner Jean Valjean, the acting is impressive, especially that of Howard and Davis as parents torn between their anger at Alex for his alleged crime and Keller for sapping them of their humanity.
The trouble is that the movie, at 153 minutes, goes on too long. And its questionable whether the resolution is worth a two-and-a-half-hour wait.
We get it: Were all prisoners at some level. But the audience may feel that theyre the ones imprisoned.